The second episode maintains the standard of the first, with, if
anything, even more humour. The sound effects and music are quiet and
selective, which captures the feel of an era far removed from the
constant soundtrack of the modern series. There's a reminder that this
is Steven and Vicki recording an adventure at the start, but it's very
short; now that Steven has got into the flow, Peter Purves can dive
almost straight back into telling the story using his full abilities.
Mostly it's good plain fun, with the Doctor namedropping a fictional
character (Raffles) and the farce with the Gladstone bag, the skeleton,
and the omnibus. The drama on the clifftop never feels too dangerous,
being more of a "how will he get out of that?" puzzle; and the horror is
restricted mainly to the opening and the close.
Speaking of which, the cliffhanger is surprisingly similar to the
previous one, and I hope that's not a sign the alien threat is going to
be kept in the background much longer. I am more interested in the
historical setting, but if you're going to have a pseudohistorical the
menace needs to be a proper part of it.
So far, this is a proving to be a good story for continuing to develop
Steven's characterisation. His worrying about madness continues, and he
is characterised as sexist but gallant (which seems to fit), whereas the
Doctor is both more egalitarian and more callous.
Normally, of course, this would have been the final episode of a
Companion Chronicle, but here Big Finish experimented for the first time
with a four-episode release (alongside having two voice actors from the
TV series). It must have been a success because the two-disk story
became an annual feature up until the end of the monthly run, and the
use of multiple leads became even more common - The Flames of Cadiz being an example I've reviewed earlier.
Of course, being in the middle of the story means it's a bit odd to
suddenly be presented with an interview! It's not completely
unprecedented - it happened in the main range when they experimented
with a serialised extra story, The Three Companions - but there's still something jarring.
Fortunately they studiously avoid spoilers, and I did learn some things.
Unsurprisingly, like most of the cast, Purves prefers historicals.
(When I met him last year, he said the story he'd most like to see
recovered is The Massacre, with The Myth Makers a close second. His favourite SF story is The Savages, which he considers underrated. It'll be a while before I get there in this marathon, though!)
Something I'd never considered before was the matter of colour. Purves
pictures his audio adventures in full colour, whereas I generally
imagine them in monochrome. I hypothesise that this is to do with him
being there when the TV serials were made: in effect, he saw them in
colour then, whereas I have only ever seen them in black and white.
It also sounds as if some of the ideas he gives here for future stories of Steven were taken into account - and when I get The War to End All Wars I'll find out just how far they've gone...
Rating:
7/10.
Next Time:
The Female of the Species.
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