Monday, 4 March 2013

Episode 70 (Q3): The Search

What with one thing and another, it's taken me a long time to get around to this review. My notes have been sitting patiently on the bedside table, gathering dust (and the odd phone number, since they've been co-opted when looking for a bit of paper in a hurry). There's even a teastain on them. Perhaps the best way to think of it is as a holiday from the blog.

And speaking of holidays (see what I did there?), this is an episode which gives William Hartnell another break. It's not that obvious, to be honest, until the end; but when Ian - who has been determined to find the old man all through the episode - stares out beyond the camera and shouts "Doctor!" his absence really hit me. I don't know what I think of this as a cliffhanger. It gains points for being unusual, but we can sort of guess what Ian's seeing, nobody's in any more peril than they have been for a while, and there's no reveal or twist. Still, I think I like it.

Unlike the DVD extra, A Holiday for the Doctor. This seems an appropriate point to bring it up. Now, I know tastes in comedy vary and there are probably people out there who found it hilarious, but for me this is dreck. There's an interesting documentary to be made on this subject - and it could even be done with humour - but the presentation here ruins it. Ida Barr (Christopher Green in drag) is not just annoying, she obscures the facts and almost slanders the actors - except it's all for a laugh, innit, so that must be okay then. Simply awful.

Back to the episode, then, and the direction here is totally non-harmful. I was going to say it's still bland, but as was pointed out in the commentary there are a lot of great closeups - particularly of Maureen O'Brien, who is sparkling.

This really is Vicki's episode. From the moment she energises the Xerons over tea and a cake in the canteen (complete with plastic trays) to the triumphant cry of "revolution!" as they gain access to the armoury, she is the driving force for change. Which means I need to say a little bit about the situation on Xeros.

Almost all the comedy in this episode comes from the guest cast. If O'Brien is remembering right and they were given no direction, they have by now worked out who they are portraying. The plump, nervous Moroks in their rubbish white uniforms are so obviously meant to be useless! Okay, the Commander pontificating on the frustrations of being second in command goes on a little too long, but it's not like Lobos's first speech; this one works. similarly, the Xerons are keen but clueless. Mervyn Pinfield's direction isn't sympathetic to the comedy, but he can't stop the signal.

This is a low-budget serial, squeezed between a costume drama and a Dalek epic. It might have been a problem, but actually mostly works to enhance the comedy. The dregs of empire are posted to a rubbish museum, where their only opposition is a bunch of children who have been taught there's nothing they can do. Fine.

Of course, not every money-saving measure was welcomed by the cast. O'Brien hated her costume, which looks like a homemade prom dress from the 1950s sewn by someone who hadn't had much practise. I think it just about works, because it's vaguely reminiscent of the one worn by that other travelling revolutionary, Dorothy Gale, in the MGM version of The Wizard of Oz; and this is a cut-price revolution, after all. But it makes no sense for Vicki to choose the outfit.

One aspect of the design which doesn't work for me has problems not because of budget, but because of a lack of prophetic vision. This is the computer outside the armoury. It basically looks like every other 1960s supercomputer, with tape reels and big panels; you can see the same thing in The Prisoner episode The General, for example. It always makes me laugh, and also wonder what aspects of today's SF TV will look equally quaint in another half-century.

Still, that's a very minor issue. There's a good balance between the comedy and drama this time, with some excellent fight scenes and appropriate moments of music throughout. This is an episode that works well, so that I was by turns gripped and amused. It's much better than it's reputation; can the finale do as well?

Broadcast:
Date: Saturday, 8th May 1965
Viewers: 8.5 million
Chart Position: 22
Appreciation Index: 56

Rating:
6.5/10.

Next Time:
The Final Phase.

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